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ENTHUSIASM
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Vertov and his Kino-Eye group produced this lyrical tale of coal miners in the   Don Basin, made with a vivid and unusual use of sound that was considerably      ahead of its time. Upon seeing the film, Charles Chaplin wrote: "I would never   have believed it possible to assemble mechanical noises to create such beauty. One of the most superb symphonies I have known." Also known as Entuziazm and Symphony of the Don Basin.                                           Dziga Vertov---USSR---1931---74 mins.
ENTUZIAZM / ENTHUSIASM
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Vertov and his Kino-Eye group produced this lyrical tale of coal miners in the Don Basin, made with a vivid and unusual use of sound that was considerably ahead of its time. Upon seeing the film, Charles Chaplin wrote: "I would never have believed it possible to assemble mechanical noises to create such beauty. One of the most superb symphonies I have known." Also known as Entuziazm and Symphony of the Don Basin.

Dziga Vertov---USSR---1931---74 mins.
KINO-EYE/ THREE SONGS LENIN
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Kino Eye (1924, 78 mins.): One of the most important works in the          history of film, Dziga Vertov's Kino-Eye is considered by many to be the   height of early Soviet cinema and of the early documentary movement in           general. Following his manifesto of kino-pravda (film truth), Vertov crafted   this film from candid shots of people who were unaware that they were being    filmed. The film demonstrates a near-perfect sense of structural symmetry as   it honors the real life it so beautifully captures. This digitally remastered    version includes a fine musical score composed by Robert Israel. Three      Songs About Lenin (1934, 59 mins.): In his last feature film, Vertov paid   homage to Russia's great leader with three examinations of life in the Soviet  Union. "In a Black Prison Was My Face," "We Loved Him" and "In the Great City    of Stone" explore the life of Lenin, while showing the effect he had upon the  nation and its people. Through exquisite images and masterful editing, Vertov  paints a living portrait of Vladimir Lenin unequalled by all of the dry        rhetoric of history books. In Russian with English subtitles.                    Dziga Vertov---USSR---1924/1934---137 mins.
MAN WITH A MOVIE CAMERA (ALLOY
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Dziga Vertov's masterpiece is an application of "life as it is lived." It makes the cameraman the hero, and is one of the most dynamic experiments with montage; the film also uses trick photography, animation, slow motion and speeded-up shots. "A study in film truth on an almost philosophical level. It does deliberately what others try hard to avoid--destroys its own illusions, in the hope that reality will emerge from the process not as a creature of screen illusion but as a liberated spirit" (Films and Filming). Silent.    Dziga Vertov---USSR---1928---69 mins.
MAN WITH A MOVIE CAMERA (NYMAN)
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Dziga Vertov's montage masterpiece makes the cameraman the hero, and chronicles all walks of Russian life at work and at play.