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ALAIN RESNAIS A DECADE IN FILM
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A selection of four 1980s films from the director of Last Year at             Marienbad. Includes: Life Is a Bed of Roses (La Vie Est un           Roman, 1983, 110 mins.), in which Resnais pays tribute to three influenti  al French filmmakers--Georges Melies, Marcel L'Herbier, and Eric Rohmer--with a   lighthearted film about happiness and the power of the imagination. Set in a   chateau that was dedicated to happiness in the 1920s and has since become a    progressive school, the film weaves together three stories that shift betwee  n  the past, present, and the imagined, creating a compelling and entertaining    mixture of drama, satire, comedy, fantasy, and music. Love Unto Death    (L'Amour a Mort, 1984, 92 mins.) is bleak and anguishing drama that      explores themes of love and death. Pierre Arditi and Sabina Azema star as        Simon and Elizabeth, an affectionate couple that lives happily in love until   Simon experiences a sudden and seemingly fatal seizure. Resnais dresses his    lead actors in symbolic colors and uses musical interludes (by Hans Werner     Henze) and other formal devices to press his philosophical themes. Melo    (1986, 112 mins.), adapted from a 1929 play by Henry Bernstein, tells the      story of two lifelong friends and violinists, Marcel and Pierre. When Marcel   goes on to stardom, Pierre settles into a contented family life unaware that   his wife is sleeping with Marcel. Plagued by guilt, Pierre's wife eventua
HIROSHIMA MON AMOUR
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A high water mark for the French New Wave. From the beginning, in which the      love-making of a French actress (Emmanuelle Riva) and a Japanese architect       (Eiji Okada) is intercut with newsreel footage of Hiroshima's atomic holocaust   and its aftermath, to the couple's painful walk through the reconstructed      city, Alain Resnais' film recaptures both the pain and the richness of the     war. In French with English subtitles.                                         Alain Resnais---France---1959---91 mins.
I WANT TO GO HOME
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French director Alain Resnais paired with American writer Jules Feiffer          (Carnal Knowledge) for this satire of French and Yankee culture. An        American cartoonist (Adolph Green) travels to Paris to attend a comic-strip      exhibition, but the trip is actually an excuse for him to reconcile with his   estranged daughter, a student at the Sorbonne. Experiencing immense culture    shock, the American wants to go home until he meets his daughter's professor   (Gerard Depardieu). A fan of the cartoonist's work, the professor invites them   all to his mother's country house where hilarity results. Also stars Linda     Lavin and Laura Benson. In French with English subtitles.                      Alain Resnais---France/Italy---1989---101 mins.
LA GUERRE EST FINIE
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This great film by Alain Resnais, scripted by Jorge Semprun, stars Yves          Montand, Genevieve Bujold, Ingrid Thulin and Michel Piccoli. Resnais shifts      between reality and Montand's mental states in an incisive portrait of an        aging Spanish revolutionary exile who is imprisoned by his past as he          confronts the failure of his ideas. Resnais explores Montand's insecurities    through his relationships with two very different women (Thulin and Bujold).   Alain Resnais---France---1966---120 mins.
LAST YEAR AT MARIENBAD
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The strange geometry of a romantic triangle marks the beginning of this elegant, labyrinthine puzzle by Alain Resnais (Hiroshima, Mon Amour).
LIFE IS A BED OF ROSES/ LA VIE
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Alain Resnais pays tribute to three influential French filmmakers--Georges       Melies, Marcel L'Herbier, and Eric Rohmer--with this lighthearted film about     happiness and the power of the imagination. Set in a chateau that was            dedicated to happiness in the 1920s and has since become a progressive school, the film weaves together three stories that shift between the past, present,   and the imagined, creating a compelling and entertaining mixture of drama,     satire, comedy, fantasy, and music. In French with English subtitles.            Alain Resnais---France---1983---110 mins.
LOVE UNTO DEATH
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Acclaimed director Alain Resnais (Hiroshima Mon Amour) explores themes     of love and death in this bleak and anguishing drama. Pierre Arditi and Sabina   Azema (both of La Vie Est un Roman) star as Simon and Elizabeth, an        affectionate couple that lives happily in love until Simon experiences a       sudden and seemingly fatal seizure. When he revives miraculously, Simon grows  increasingly obsessed with his brush with death until another seizure ends his life. Resnais dresses his lead actors in symbolic colors and uses musical        interludes (by Hans Werner Henze) and other formal devices to press his        philosophical themes. The result is an underrated accomplishment from one of   cinema's most talented directors. In French with English subtitles.            Alain Resnais---France---1984---92 mins.
MELO
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Adapted from a 1929 play by Henry Bernstein, Melo marked the first time    that director Alain Resnais had ever handled his own screenplay. The film        tells the story of two lifelong friends and violinists, Marcel and Pierre.       When Marcel goes on to stardom, Pierre settles into a contented family life    unaware that his wife is sleeping with Marcel. Plagued by guilt, Pierre's wife eventually takes deadly measures to end the affair. "An incomparable           masterpiece" (Jonathan Rosenbaum, Chicago Reader). In French with          Alain Resnais---France---1986---112 mins.
MON ONCLE D'AMERIQUE (MY AMERICAN UNCLE)
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Long out of print, good luck trying to find a new copy of Alain Resnais' Oscar-nominated psychodrama for under $20 online. Gerard Depardieu stars.
MURIEL (RESNAIS)
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No less hauntingly beautiful than Last Year at Marienbad or Hiroshima, Mon Amour, Alain Resnais's departure in Muriel ou le Temp s d'un Retour was to politicize the literal story. In this case, an inciden t from provincial life involving the reunion of a middle-aged widow with an old love, and her son's anguish over torturing and murdering a woman, Muriel, during the Algerian War. Out of the trivia of everyday life and its anxieties, the director creates a mosaic that probes the relationship between personal conscience and public consciousness, as well as themes of time and memory characteristic to his work. "Muriel approaches the cinema of pure association and is clearly Resnais's greatest work" (David Cook, A History of Narrative Film). With Delphine Seyrig, Jean-Pierre Kerien, Nita Klei n, and Jean-Baptiste Thierree. Cinematography by Sacha Vierny and music by Hans

Alain Resnais---France---1963---116 mins.
NIGHT AND FOG
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Alain Resnais' searing, unforgettable film on Nazi concentration camps is a devastating record of man's inhumanity, playing like a collective, haunted memory.
PRIVATE FEARS IN PUBLIC PLACES
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Challenging nouvelle vague director Alain Resnais (Last Year at Marienbad) toys with melodramatic form and artifice in this adaptation of Alan Ayckbourn's play about six strangers searching for love in the snowy streets of Paris. "Resnais's mastery shows how avant-garde the movie equivalent of a well-made play can be...resembles a Vincente Minnelli musical  with the songs elided" (Village Voice). The stellar cast includes Sabine Azema, Isabelle Carre, Laura Morante, Lambert Wilson, Andre Dussollier, and Pierre Arditi. Resnais won the Silver Lion for Best Director at the Venice Film Festival. Also known as Coeurs. In French with English subtitles.   Alain Resnais---France---2006---121 mins.
SAME OLD SONG
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With Same Old Song, the great French director Alain Resnais made one of    the most playful films of his career, but one that is no less striking or        thought-provoking than his more overtly serious work. Paying tribute to Dennis   Potter (The Singing Detective), this musical comedy has characters       lip-synch to recordings of famous French pop songs as they become caught in a  web of romantic confusion. "Light and vivacious on the surface, but with a     subtle undercurrent of melancholy...The City of Light has never seemed more      illusional, as the rise and fall of apartment blocks and whole neighborhoods   parallel the amorous entanglements of these characters" (New York Film         Festival Program). In French with English subtitles.                           Alain Resnais---France---1997---120 mins.
SMOKING - NO SMOKING
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These two feature-length films, typically shown in tandem, were conceived by Alain Resnais (Last Year at Marienbad) and adapted from a set of dramatic works by Alan Ayckbourn. Formally rigorous but light-hearted in spirit, the films chart the personal trajectories of three women (all played by Sabine Azema) and three men (all played by Pierre Arditi). In Smoking, a housewife decides one morning to smoke a single cigarette; in Non Smoking she does not. Resnais shows the consequences through scenes that elapse at regular intervals in the future--five seconds, then five days, five weeks, and five years. The variables that occur at each juncture lead to a total of twelve conceivable conclusions. "Brilliant, ingenious, hilarious" (Susan Sontag, Artforum). In French WITHOUT English subtitles.             Alain Resnais---France---1993---298 mins.
WILD GRASS
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In this brilliant, mad comedy from the great Alain Resnais, a middle-aged woman named Marguerite (Sabine Azema) has her purse stolen on the street. When Georges (Andre Dussollier), a middle-aged married man, stumbles upon her wallet by accident, he becomes more and more obsessed with its attractive owner. "Wild Grass is carefree and anarchic, takes bold risks, spins in unexpected directions...a young man's film made with a lifetime of experience" (Roger Ebert, Chicago Sun-Times). Based on Christian Gailly's novel The Incident. Winner of a Special Jury Prize at Cannes. In French with English subtitles.

Alain Resnais---France---2009---104 mins.