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BRUISER
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In George Romero's allegorical horror film, a man becomes so caught up in a      world of vacant lifestyles and societal acquiescence that he literally loses     his identity. His empty personal relationships and high-pressure career at a     thriving, sexist men's magazine (named Bruiser) come crashing down and   he emerges as a faceless avenger, violently dealing with those who have        mistreated him. Jason Flemyng (Lock, Stock and Two Smoking Barrels) and  Peter Stormare (Fargo, Dancer in the Dark) star.                     George A. Romero---USA/Canada/France---2000---99 mins.
CRAZIES (ROMERO)
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A government plane carrying a biological warfare virus suddenly crashes near a   small Pennsylvania town resulting in a poisoned water supply. When the           residents embark on a chaotic, murderous rampage, the government sends in the    army, unannounced, to quarantine the town and resolve the anarchy. A small war breaks out when the citizens find themselves caught between a lethal disease,  their crazed neighbors and an unexplained occupying army.                      George A. Romero---USA---1973---103 mins.
CREEPSHOW
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George A. Romero directed a screenplay by Stephen King that is a ghoulish        comic tribute to EC Comics. Five tales of the macabre are offered. E.G.          Marshall's battle with cockroaches is a standout. King himself acts as a hick    farmer who finds something he shouldn't.                                       George A. Romero---USA---1982---120 mins.
DAWN OF THE DEAD ULTIMATE ED.
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A horror landmark. George A. Romero's sequel to Night of the Living Dead   is a bleak satire of American consumerism mixed with comic book action and       groundbreaking gore FX. Three men and a woman escape the ravenous walking dead   and find refuge in a sterile, abandoned shopping mall. Romero charts a series  of complicated sexual, racial and political relationships as the               flesh-devouring zombies lay siege to their "fortress." This is the original    American release version of the film; a shorter version edited by Dario          Argento, re-named Zombie, was released in Italy with some alternate      George A. Romero---USA---1978---127 mins.
DAY OF THE DEAD
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In Romero's third zombie classic, the walking dead have taken over. Only a small band of scientists and soldiers remain in an underground missile silo.
DIARY OF THE DEAD
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In Romero's zombie movie for the YouTube age, the POV footage captured by slaughtered film students is edited together with surveillance and web videos.
KNIGHTRIDERS
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George Romero's Knightriders stars Ed Harris as the leader of a traveling Renaissance Faire where the featured attraction is motorcycle jousting.
LAND OF THE DEAD (ROMERO)
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Horror master George A. Romero returns with the long-awaited fourth              installment in his highly influential zombie series, continuing a story that     began in Night of the Living Dead (1969) and ran through Dawn of the    Dead (1978) and Day of the Dead (1985). As always, Romero skillfully  weaves terror, gore, pathos and poignant social commentary into the story of   man's struggle for survival against the cannabalistic undead. Romero's         signature nihilism is at an all-time peak here, with the remaining human         survivors barricaded in a fortified city, surrounded by zombies who are        beginning to think for themselves. Starring Simon Baker, Asia Argento, John    Leguizamo, Eugene Clark and Dennis Hopper. "...a satisfyingly splattery feast  of guts and ideas...a tour de force of not only independent filmmaking but       George A. Romero---USA---2005---93 mins.
LONG WAY HOME (APTED)
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Michael Apted took his camera into recording studios and concert venues to       follow Russian rock and roll star Boris Grebenshikov, whose recordings were,     until recently, only available on the black market in the Soviet Union. With     the coming of glasnost, Grebenshikov finds himself free to travel to New York, where he is invited to record his first album with CBS Records. "A superb      documentary...rewarding, both musically and dramatically" (The Dallas       Michael Apted---Great Britain---1989---82 mins.
MARTIN (ROMERO)
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One of George Romero's best films, featuring a title character who comes to believe he's a vampire, using his grocery store job to meet and stalk prey.
MONKEY SHINES
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While not as distinctive as the low-budget, independent productions he made      earlier in his career (Night of the Living Dead, Martin), this       first-rate shocker is one of the better films George Romero has made under       studio constrictions. A man embittered by his recent paralysis is given a      trained monkey to assist him. The monkey, treated with an experimental serum   to advance its intelligence, develops a strong psychic bond with its master    and begins to channel his rage and act upon it, leading to deadly                consequences. While never veering away from the film's suspense trajectory,    Romero makes room for a very fine and sympathetic performance from leading man George A. Romero---USA---1988---113 mins.
NIGHT LIVING/ HOUSE HAUNTED HI
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A double-header of classic horror fare. Includes Night of the Living          Dead (George A. Romero, 1968, 93 mins.), George A. Romero's nihilistic        thriller about a group of survivors seeking sanctuary in a farmhouse under       siege from the walking dead: flesh-eating zombies that patrol the ravaged      landscape. Then, Vincent Price stars in House on Haunted Hill (William   Castle, 1958, 75 mins.), a horror classic about a group of people who, in      order to win a bet with the wealthy Price, try to spend one night in a spooky    old mansion with lots of skeletons in its closets.                             George A. Romero/William Castle---USA---1958, 1968---168 mins.
NIGHT OF THE LIVING DEAD
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A colorized version of the landmark black and white zombie classic. George A.    Romero's brilliant debut boldly re-imagines horror conventions in this           nihilistic thriller about a group of survivors seeking sanctuary in a            farmhouse under siege from the walking dead: flesh-eating zombies that patrol  the ravaged landscape. Perhaps the most influential horror film of the modern  age, it has been copied endlessly. Yet its raw, visceral power and provocative thematic undercurrents remain undiminished. Its limited production values only   enhance its frightening atmosphere of doom and isolation. With Judith O'Dea,   George A. Romero---USA---1968---96 mins.
NIGHT OF THE LIVING DEAD
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George A. Romero's brilliant debut boldly re-imagines horror conventions in      this nihilistic thriller about a group of survivors seeking sanctuary in a       farmhouse under siege from the walking dead: flesh-eating zombies that patrol    the ravaged landscape. Perhaps the most influential horror film of the modern  age, it has been copied endlessly. Yet its raw, visceral power and provocative thematic undercurrents remain undiminished. Its limited production values only enhance its frightening atmosphere of doom and isolation. With Judith O'Dea,     Duane Jones and Karl Hardman.                                                  George A. Romero---USA---1968---96 mins.
SEASON OF THE WITCH
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In this early George Romero feature, suburban housewives are scared and fascinated when an alleged witch moves into the neighborhood.
SURVIVAL OF THE DEAD
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In Romero's sixth Dead movie, soldiers are losing the war against the zombified population of Philadelphia. They retreat to an island off the coast, but it's home to two feuding families that are even more dangerous than the living dead. "The man is a fount of imagination. Scarcely a zombie dies in a boring way" (Roger Ebert).
TWO EVIL EYES
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Two masters of modern horror--George Romero (Night of the Living Dead)     and Dario Argento (Suspiria)--present two separate films inspired by th  e tales of Edgar Allan Poe. Romero's entry The Facts in the Case of Mr.         Valdemar stars Adrienne Barbeau as a conniving wife who teams with her      lover to scheme a fortune from her dying husband. Argento's The Black       Cat stars Harvey Keitel as a crime photographer driven to madness and       murder by his girlfriend's pet. This winning double dose of horror also          features special effects by Tom Savini, the man behind the gore in Romero's    Dawn of the Dead and Day of the Dead. "Solid shocks" The New    George A. Romero/Dario Argento---USA/Italy---1990---120 mins.
ZOMBI: DAWN OF THE DEAD
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Dario Argento's version of the 1978 George A. Romero zombie classic, recut for European audiences in the 1970's. Argento cut much of Romero's humor, leaving a faster-paced, darker, more nihilistic version of an already frightening film. A must for the Romero die-hards. George A. Romero/Dario Argento---USA---1978---118 mins.