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BIG RED ONE: THE RECONSTRUCTION
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Sam Fuller's epic story of five fighting men who cut a path from North Africa to Czechoslovakia. A rich, realistic and individual look at war.
ECLIPSE SERIES 5: THE FIRST FILMS OF SAMUEL FULLER
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Although The Steel Helmet put Sam Fuller on the FBI's radar during the McCarthy era, it is "simply the best domestic feature about the Korean War" (David Cook).
FORTY GUNS
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Samuel Fuller's dynamic, operatic western was a domestic box office bomb because of its incongruous narrative, but it scored with cineastes overseas due to its flamboyant performances and bold visual style. Barbara Stanwyck stars as Jessica Drummond, a despotic landowner and the self-styled authority of an Arizona county. One sweltering hot day, a posse of gunfighters (Barry Sullivan, Gene Barry, and Robert Dix) rides into town looking to restore domestic order, but the members quickly find themselves tangling with Drummond's brother (John Ericson) and the landowner's own sexual advances.  With its stunning images, ripe melodrama, and bold sexual innuendo, Forty Guns is one of the splashiest entries in Fuller's esteemed filmography.  Sam Fuller---USA---1957---80 mins.
HELL AND HIGH WATER
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A Sam Fuller CinemaScope production with Richard Widmark playing a former        seaman hired by think-tank scientists to pilot a submarine to the Arctic and     then sabotage the scheming Chinese army. Fuller goes light on violence and       heavy on the romance and intrigue. Nominated for an Academy Award for Best     Effects. Co-stars Bella Darvi, Victor Francen, and Cameron Mitchell.           Sam Fuller---USA---1954---103 mins.
HOUSE OF BAMBOO
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Filmed against the backdrop of pre-modern Tokyo, Sam Fuller's hardboiled crime film follows U.S. Army operative Eddie Kenner (Robert Stack) as he investigates a shady ex-GI named Sandy Dawson (Robert Ryan). Since the war, Dawson's begun a second life as a gangster, robbing ammunition trains and dominating the local pachinko racket. In order to disassemble his operation, Kenner must infiltrate Dawson's gang and earn the gangster's trust without ending up on his hitlist. The first American film made in Japan after WWII, Fuller's vision of Tokyo as a grey metropolis overrun by Western vice and crime is a stirring vision of an occupied land.                                Sam Fuller---USA---1955---102 mins.
MERRILL'S MARAUDERS
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In this World War II actioner set in the Pacific, Jeff Chandler stars as         Brigadier General Frank D. Merrill, upon whose actual exploits the film is       based. Merrill leads a war-weary battalion in the Burmese jungle on a trek       through hostile terrain hiding deadly Japanese troops. With Ty Hardin, Claude  Akins and Peter Brown.                                                         Sam Fuller---USA---1962---99 mins.
NAKED KISS, THE (CRITERION)
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A big city prostitute tries to go the straight and narrow route in small town America, but finds beneath the town's clean veneer lies perversion and corruption.
PARK ROW (DVD-R)
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"What better pick for 2011 than a whirlwind psychodrama about rival newspapers? Fuller's personally-funded labour-of-love is a film that encapsulates the nervous exhilaration of seeing your first big scoop rolling off the printing press. Offering a turbulent creation myth for American tabloid journalism, remove the linotypes, stogies and stovepipe hats and what remains is a howling plea for truth, integrity and creative endeavour. Journos, bloggers, critics, commentators and newshounds should all see this brilliant movie" (David Jenkins, Time Out London).

Sam Fuller---USA---1952---83 mins.
PICKUP ON SOUTH STREET
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A pickpocket inadvertently acquires top-secret microfilm and becomes a target for U.S. and Soviet espionage agents. Starring Richard Widmark and Thelma Ritter. "This lyrical skid-row noir is one of the great movies of the '50s. The Cold War plot pushes McCarthyism to the far side of the moon" (J. Hoberman). Written and directed by Sam Fuller.                                 Sam Fuller---USA---1953---80 mins.
SAM FULLER COLLECTION, THE
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This seven-disc set spans the career of the revered genre-film screenwriter and director.
SAM FULLER'S SHARK
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Filmed in Mexico and the U.S., this 1969 adventure film, directed by Sam         Fuller, follows the search for sunken, shark-guarded treasure by four divers     looking to double-cross each other. Burt Reynolds, Arthur Kennedy and Barry      Sullivan star in a film with daring shark footage that cost one of the film's  stunt divers his life.                                                         Sam Fuller---USA/Mexico---1969---92 mins.
SHOCK CORRIDOR (CRITERION)
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To catch a killer and win a Pulitzer Prize, a reporter has himself committed to a mental institution. A complex, wacky masterpiece by Sam Fuller.
STREET OF NO RETURN
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One of Sam Fuller's last films as a director, Street of No Return stars    Keith Carradine as a former pop star who lost everything when he fell in love    with a gangster's woman. Now, living as a drifter in a haze of amnesia and       misery, he unexpectedly gets a chance to find himself...and a shot at revenge. Bill Duke co-stars in this flawed yet most intriguing feature, shot in Lisbon  but set in the U.S.A. Based on a novel by David Goodis (Shoot the Piano     Player). "The singular vision of Fuller in his late 70s, tied as always to    his passionate and radical view of the U.S., is filtered here through heaps of Eurotrash, and the results are distinctly unsettling. Fuller fans can't afford to pass this up" (Jonathan Rosenbaum, Chicago Reader).                   Sam Fuller---Portugal/France---1989---89 mins.
WHITE DOG ( CRITERION )
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One of Sam Fuller's last features is this intense and bizarre B-movie about a    racist dog. Actress Julie Sawyer (Kristy McNichol) takes in a white German       Shepard not knowing that it has been trained to attack black people. Paul        Winfield plays a trainer who tries to deprogram the lethal pup. Filmed amidst  a storm of controversy, White Dog was ultimately shelved. "A fascinating oddity and as clear an indictment of racism as one might ever see" (Janet      Maslin, New York Times). Based on a true story by Romain Gary, whose       wife, actress Jean Seberg, once took in a racist stray by accident. Music by   Sam Fuller---USA---1982---89 mins.