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EL TOPO
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The original midnight movie. Alejandro Jodorowsky brought his avant-garde theater aesthetics to the table with this ultraviolent western about a lone gunman, El Topo (Jodorowsky), who banishes his son and sets off on a spiritual quest to defeat four quick-draw masters, only to be struck down by his own son after years of solitude. Countercultural audiences relished decoding the nexus of allegorical allusions to religion and philosophy amidst all the grotesque and surreal bloodshed in the film. Includes Spanish-language version with English subtitles and English dubbed version.

Alejandro Jodorowsky---Mexico---1970---125 mins.
FILMS OF ALEJANDRO JODOROWSKY
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With the notorious, decades-long feud between producer Allen Klein and director Alejandro Jodorowsky now over, El Topo and The Holy Mountain are no longer relegated to midnight screenings and substandard bootlegs. This collection includes Fando y Lis (1968, 95 mins., Spanish with English subtitles), Jodorowsky's surreal and outrageous adaptation of a Fernando Arrabal play, El Topo (1970, 125 mins., Spanish-language and English dubbed versions), the brutal and hallucinatory cult classic that brought him to America's attention, and The Holy Mountain (1973, 114 mins., in English), his most lavish and intellectually challenging work, which counters blasphemous, shocking imagery with promises of religious and filmic   transcendence. Alejandro Jodorowsky---Mexico/USA---1968-1973---490 mins.
HOLY MOUNTAIN (JODOROWSKY)
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In Jodorowsky's big budget follow-up to El Topo, a Christ-like thief tries to steal the secret of enlightenment from an alchemist.
RAINBOW THIEF, THE

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The stars of Lawrence of Arabia, Omar Sharif and Peter O'Toole, are reunited in this whimsical comedy about a petty thief and a displaced heir. Together they may be able to get their hands on a fortune. All they need is roguish wit, a lot of luck and a little magic.

Alejandro Jodorowsky---USA---1990---87 mins.
SANTA SANGRE
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From the creator of El Topo comes a film of bold and bizarre images, delicately balanced between the theater of the absurd and a circus of horrors. A man brutally disfigures his wife in front of their young son. Traumatized, the boy is committed to an asylum. Freed by his armless mother 12 years later, they forge an unholy alliance.