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20,000 LEAGUES UNDER SEA 1916
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For the first time on video, the 1916 film version of the Jules Verne classic,   newly remastered from an archive print. This landmark film was 1 1/2 years in    the making, and was one of the first great special effects spectaculars of the   early cinema. The thrilling story of the renegade Captain Nemo and the sea     monster he discovers from the submarine Nautilus is as impressive today as it  was upon its initial release 75 years ago.                                     Stuart Paton---USA---1916---105 mins.
90 DEGREES SOUTH
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Herbert G. Ponting's chronicle of Captain Robert Scott's heroic and ultimately   tragic race for the South Pole was originally released in 1913. Ponting, a       renowned still photographer, dedicated his life to the memory of Scott, who      died with his entire team on the return trip from the pole after losing the    race to Amundsen. Twenty years after his friend's death, Ponting added         narration to the film, drawing from Scott's diary entries. This is the deeply  personal tribute to the heartbreaking last days of the doomed expedition.        Herbert G. Ponting---Great Britain---1933---72 mins.
ABRAHAM LINCOLN/ THE STRUGGLE
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Released as part of the Griffith Masterworks 2 collection, this            double-feature includes the newly-restored Abraham Lincoln (USA, 1930,     93 mins.), D.W. Griffith's epic biography of Lincoln, featuring a remarkable     performance from Walter Huston as the martyred president. This is followed by  The Struggle (USA, 1931, 93 mins.), and Griffith pulls no punches in     this rarely seen last film, which illustrates the destructive influence of     alcohol. In this talkie, Hal Skelly stars as a hardworking everyman who fall  s  victim to alcoholism and makes his home a living hell for his trusting         D.W. Griffith---USA---1930/1931---186 mins.
ABWEGE (DEVIOUS PATH)
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Brigitte Helm (Metropolis) stars as a woman neglected by her               self-absorbed husband who begins to mix with a questionable crowd in a trendy    nightclub. Her encounters eventually lead to disastrous results. An              interesting effort from director G.W. Pabst, who would make the masterful      Pandora's Box the following year. Also known as Crisis and         Desire. Silent with German intertitles.                                  G.W. Pabst---Germany---1928---97 mins.
ADVENTURES OF TARZAN (126 MIN)
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This complete 15-chapter silent serial features Elmo Lincoln as Edgar Rice Burroughs' famous character. Tarzan must race against time to save Jane, who is at the mercy of an evil Russian agent searching for the jeweled city of Opar. Louise Lorraine, Frank Whitson also star. NOTE: Questionable tape quality.

Robert F. Hill/Scott Sidney---USA---1921---186 mins.
AELITA: QUEEN OF MARS
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One of the most remarkable discoveries of the Soviet silent cinema, Aelita is a stunning big-budget science fiction spectacle.
AFFAIRS OF ANATOL
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Gloria Swanson stars in this blend of sophisticated farce and outrageous         romance, made under the savvy direction of Cecil B. DeMille. A young married     couple (Swanson and Wallace Reid) have some unexpected changes of heart--and     partners--as fate tempts them with decadent, forbidden pleasures. Opulent      costumes and settings add to the Jazz Age naughtiness. With Monte Blue, Polly  Moran and Bebe Daniels as "Satan Synne," the wickedest woman in New York.      Based on a novel and play by Arthur Schnitzler. Silent, with original color      Cecil B. DeMille---USA---1921---117 mins.
AIRPLANE COMEDIES
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A compilation of early silent comedies all including airplanes of a bygone       era, notable for some of the incredible stunts. Includes Air Pockets       with some rooftop to rooftop escapades, and Larry Semon, Laurel and Hardy,       Little Rascals, Ben Turpin, Billy Bevan and Mack Sennett. Silent and sound.
ALICE IN WONDERLAND/ ALADDIN &
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In the early years of feature film production, Fox Film Corporation launched a   series known as the "Sunset Kiddies" movies--lavish productions with most of     the central roles played by children. Aladdin and the Wonderful Lamp is    one of these historic films. The cast of youngsters is headed by 6-year-old    Francis Carpenter as Aladdin and 7-year-old Virginia Lee Corbin as the         Princess who falls in love with him. Adult co-star Elmo Lincoln (the screen's  first Tarzan) plays the towering genie that emerges from the lamp. Originally    an 8-reel film, only 4 reels have survived the ravages of time, but even in    the film's severely abridged current form, it is a rarity well worth seeing.   Chester M. Franklin/Sidney A. Franklin---USA---1917---41 mins.
ALICE WONDERLAND / ALADDIN
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Alice in Wonderland (W.W. Young, USA, 1915, 52 mins.): Viola Savoy stars   in this very early feature film version of Lewis Carroll's classic fantasy.      Aladdin and the Wonderful Lamp (Chester & Sidney Franklin, USA, 1917, 4  1 mins.): A rare entry in Fox Film Corporation's "Sunset Kiddies" series--lavish productions with most of the central roles played by children. The cast of     youngsters is headed by 6-year-old Francis Carpenter as Aladdin and 7-year-old Virginia Lee Corbin as the Princess who falls in love with him. Originally an    8-reel film, only 4 reels have survived the ravages of time, but even in the   film's severely abridged current form, it is a rarity well worth seeing. Both  films are silent with music scores.                                            W.W. Young/Chester M. Franklin/Sidney Franklin---USA---1915/1917---93 mins.
ALL NIGHT
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This delightful comedy-drama stars Rudolph Valentino as a lovesick young man     trying to get up the courage to ask his long-time friend (Carmel Myers) for a    date. A friend (Charles Dorian) invites both to dinner so Valentino can get      her alone, romance her and possibly propose. When Dorian's help quits just     before an important client is to be entertained, Valentino and Myers are       forced to pretend to be husband and wife to impress his friend's client, as    Dorian and his wife take over the servants' duties. Edith Mary Warren, William   Dyer, Wadsworth Harris and Jack Hull. Silent with orchestra score.             Paul Powell---USA---1918---58 mins.
ALRAUNE
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This silent film is the best of the three versions of this film based on Hanns Heinz Ewer's popular novel about Alraune (Brigitte Helm, Metropolis), the offspring of a prostitute artificially inseminated by a mad doctor (Paul Wegener) with the semen of a hanged man. German with English titles.

Henrik Galeen---Germany---1928---97 mins.
AMARILLY OF CLOTHES-LINE ALLEY
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One of the extremely popular features that helped make Mary Pickford the first   true superstar of motion pictures. Pickford salutes her own Irish roots in       this charming tale of the belle of San Francisco's tenement district. "One of    the most brilliantly made films of its time. It is made with exuberance,       imagination and style. It is, quite simply, adorable" (Kevin Brownlow).        Mastered from the 35mm negative and tinted according to original               specifications. Silent, with a chamber orchestral score by The Mont Alto         Orchestra. Also included is the rarely seen Thomas Ince short The Dream  Marshall Neilan---USA---1918---77 mins.
AMERICA (1924)
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Griffith's patriotic, historical spectacle about the American Revolution, with Neil Hamilton and the showy villainy of Lionel Barrymore as a British Loyalist.
AMERICAN ARISTOCRACY
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Douglas Fairbanks stars in this silent action comedy involving speeding cars,    seaplanes and motor cruises.                                                     Lloyd Ingraham---USA---1916---56 mins.
AMERICAN SILENT HORROR COLL
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The phrase "the silence was deadly" has never been more fitting. This set        includes four horror classics from the silent era: the UFA-inspired gothic       drama The Man Who Laughs (Paul Leni, 1927, 110 mins.); The Penalty (Wallace Worsley, 1920, 82 mins.), a gruesome tale of revenge starring a       contorted Lon Chaney as a legless man; the first great American horror film,   Dr. Jekyll and Mr. Hyde (John S. Robertson, 1920, 96 mins.), starring    John Barrymore; and Paul Leni's masterfully crafted "old dark house" chiller     The Cat and the Canary (1927, 82 mins.). These are joined by the         haunting documentary Kingdom of Shadows (Bret Wood, 1998, 70 mins.),     featuring footage of nearly 50 of the most famous and most obscure horror      films from the turn of the century to the end of the silent era. Rod Steig  er   narrates this look at the influence of German expressionism, the psychological roots of American horror, and the genre's trajectory in sound.                 USA---1920-1998---455 mins.
AMERICAN SLAPSTICK
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Charlie Chaplin, Harold Lloyd, Stan Laurel, and Oliver Hardy are just a few of   the comedy legends who appear in this rare collection of feature-length silents and archival rarities. From pratfalls to speedy getaways, pranks and antics abound in this winning collection. Includes 17 silent classics plus shorts, rare clips, and more. Silent with musical accompaniment. USA,
AMERICAN SLAPSTICK 2
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This is a 3-disc collection of seminal works and archival rarities featuring     silent comedy legends and forgotten clowns, from the first film directed by      Charlie Chaplin to early works by almost unrecognizable Harold Lloyd and Stan    Laurel. American Slapstick Volume 2 includes the young Harold Lloyd in   Luke Joins the Navy (1916), By the Sad Sea Waves (1917),           Bliss (1917), Hey There (1918), and Don't Shove (); the Hal  Roach B-listers Dodge Your Debts (1921), Looking for Trouble       (1919), Whirl o' the West (1921), The Dippy Dentist (1920),        Shiver and Shake (1922), and Post No Bills (1923); educational     pictures such as A Fresh Start (1920), At Your Service (1921),     Jonah Jones (1924), and Breezing Along (1927); Char  lie             Chaplin-associated works like Charley Out West (1919), The Hobo    (1917), Oh Shoot (1923), Caught in a Park (1915), Gussle's      Wayward Path (1915), and Charley's Aunt (1925); films dealing with    hearts and havoc like Be Reasonable (1921), Kid   Speed (1924), and  Call the Wagon (1923); women holding it down in Cinderella Cinders (1920), Hold Still (1926), Hash House Fraud (1915), Faro        Nell (1929); and two talkies, Playboy Number One (1937) and
ARBUCKLE & KEATON V1
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Five silent two-reel comedies made by Roscoe "Fatty" Arbuckle at the peak of     his popularity and creative freedom. Made after Arbuckle left Keystone to set    up his own production unit at Paramount, these historic shorts also feature      the great Buster Keaton in his earliest screen performances. The Butcher    Boy (1917) was not only Arbuckle's first independent production, but also   Keaton's film debut. The Bell Boy (1918) features Fatty and Buster as    incompetent hotel employees. Out West (1918) is a broad western parody  .  Moonshine (1918) is a genuine comedy classic that includes a sharp jab   at Chaplin's pathos-filled endings. Lastly there is The Hayseed (1919),  in which Keaton's "Great Stone Face" persona really begins to take shape. All  the films have been digitally mastered from the best surviving materials.   They are shown at correct projection speeds with restored intertitles and color     tinting, and new music scores and sound effects by the Alloy Orchestra.        Roscoe Arbuckle---USA---1917-1919---125 mins.
ARBUCKLE & KEATON V2
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This collection includes five more Fatty Arbuckle shorts featuring a newcomer by the name of Buster Keaton in the cast. Arbuckle was among the most famous screen stars in the world when these two-reel comedies were released by          Paramount, who gave the star and director complete artistic freedom to lure him away from Keystone. Hiring Keaton was one of his first decisions and in Back Stage (1919), you can see the genius emerging within the new star. Good Night Nurse (1918) is a hilarious comic nightmare, complete with Fatty in nurse drag, cracking up Dr. Keaton. In Coney Island (1918), Arbuckle, his nephew Al St. John and Keaton vie for the heart of the same girl. The Rough House (1918) includes Arbuckle's "roll dance," the inspiration for a similar gag in Chaplin's masterpiece, The Gold Rush. Finally, The Garage (1920) is considered Buster's "spin-off" film, as he then went on to star in his own legendary films. All films have been digitally mastered from the best surviving materials. They are shown at correct          projection speeds with restored intertitles and color tinting, and new music   Roscoe Arbuckle---USA---1918-1920---121 mins.