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PERCEVAL
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Eric Rohmer's highly stylized film treatment of Chretien de Troyes' 12th-century epic poem is radically different from most of the director's other features.
PORCILE (PIGSTY)
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Pasolini's remarkable film interweaves two storylines. In the first, a man wanders a medieval, war-ravaged countryside devouring the weak. In the second...
LEGEND OF SURAM FORTRESS, THE
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Based on a Georgian folk tale, Sergei Paradjanov's surreal film tells of the self-sacrifice of a young warrior who agrees to be bricked up in a fortress wall.
LANCELOT OF THE LAKE
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With rich colors and stark images, Robert Bresson's masterpiece begins as the knights return to King Arthur's court after a doomed quest for the Holy Grail.
JOAN THE MAID (I & II)
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A brilliant interpretation of the story of Joan of Arc by French New Wave and post-New Wave master Jacques Rivette. With a ravishing performance from Sandrine Bonnaire as Joan, this epic about the 15th century teenager who ledvthe French army into battle is a freshly detailed view of the passion and of the complex moral, ecumenical and power issues Joan of Arc forced to the surface. At the same time, Rivette succeeds at humanizing Joan's personal conflict in a very direct yet intimate way. The first film, Joan the Maid: The Battles (115 mins.) follows Joan as she leaves Domremy and tries to convince a captain to take her to the Dauphin, and ends with her first battle at Orleans. In the second part of his film diptych, Joan the Maid: The Prisons (126 mins.), Rivette concentrates on Joan of Arc's imprisonment, interrogation and eventual burning at the stake. Rivette emphasizes Joan's marytrdom in a poignant interpretation of her famous line, "I know what I must do but at times I don't know how." Bonnaire again plays Joan while Rivette himself appears in a cameo as the priest who blesses her just before she leaves home. In French with English subtitles.

Jacques Rivette---France---1993---241 mins.
FLOWERS OF ST. FRANCIS, THE
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Rossellini continues his investigation of the nature of history and myth in this re-telling of the story of St. Francis of Assisi and his band of friars.
MACBETH (WELLES) SPANISH
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Orson Welles' Macbeth was shot in 23 days on an extremely low budget, yet is memorable for its rhythm, murky atmosphere of evil, and imaginative visualizations.

Orson Welles---USA---1948---89 mins.
VIRGIN SPRING, THE
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Bergman's stunning film builds to a father's (Max von Sydow) revenge for the rape and murder of his daughter. Shot in high contrast B&W by Sven Nykvist.
EISENSTEIN: THE SOUND YEARS
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Three historic films by one of the central figures of cinema history are included in their entirety in this three-disc boxed set.