Lesser known but no less important than Satyajit Ray's early works in the        Apu trilogy.  Trying to make a success of his taxi business after a        run-in with the police, Narsingh (Soumitra Chatterjee) takes refuge in the       outskirts of the city, where he encounters the darker side of Bengali          life--prostitutes, drug dealers, and white slave traders. Though similar to    contemporary Indian commercial cinema in certain respects, it's Ray's          indebtedness to neorealism and his depiction of intimate, human relations that   Satyajit Ray---India---1962